WORK
Written by Kristoffer Diaz
For past productions of CHAD DEITY, click here.
2008 National Latino Playwriting Award
2010 Pulitzer Prize for Drama Finalist
2011 Obie Award for Best New American Play
2011 New York Times Outstanding Playwright Award to Kristoffer Diaz (for Chad Deity)
The New York Times (NYT Critic’s Pick)
Ben Brantley
“Kristoffer Diaz’s crazy-like-a-fox comedy about television wrestling, is the real thing. This delightfully muscular production…courses with the vital sap of an able-bodied satire enjoying a rollicking love-hate affair with its subject.”
Chicago Tribune
Chris Jones
“If Kristoffer Diaz's "The Elaborate Entrance of Chad Deity" does not become a hulking hit for Victory Gardens this fall, and rapidly move on to bigger matches beyond Chicago, you can come right over and kick me in the head and stomp on my stomach.”
WELCOME TO ARROYO’S
Written by Kristoffer Diaz
Variety
Steven Oxman
“A personal, charming, clever play with a hip-hop bent.”
“An extremely welcome voice in American theater.”
HERCULES
Music by Alan Menken
Lyrics by David Zippel
Book by Kristoffer Diaz
Choreography by Chase Brock
Directed by Lear deBessonet
The New York Times (NYT Critic’s Pick)
Jesse Green
“Ambrosia with an afterkick… Public Works has turned it into a much more significant story, one in which everyone, not just the stud in the toga, has to learn to be a hero.”
Broadway World
Michael Dale
“Kristoffer Diaz's bright and comical adaptation…tinkers with the storytelling to stress how community members, when banding together, can heroically conquer the hardships of their everyday lives.”
RENT: LIVE
(Fox)
Based on Rent by Jonathan Larson
Written by Kristoffer Diaz
Directed by Michael Greif and Alex Rudzinski
Music and Lyrics by Jonathan Larson
The A.V. Club
Caroline Siede
“Kristoffer Diaz also seizes the opportunity to make some small yet impactful updates to Jonathan Larson’s beloved but flawed source material.”
GLOW
(Season 1, Netflix)
Created by Liz Flahive and Carly Mensch
Executive-Produced by Jenji Kohan
Story Editing by Kristoffer Diaz
The New Yorker
Emily Nussbaum
“A carbonated blast… a joyride.”
“Smartly plotted, with characters that deepen in the course of the show."